Weekly Diary

29/04/2012

Following lengths of beard up the garden path I found the green man and and his woman (although she professed her independence) sat in the tangled greenery like unexploded bombs wearing hair nets. I tiptoed past the detonators in search of large bags to put my artificial children in. I then spent a couple of hours putting light bulbs in the blank face of Argus before switching them on to an accompaniment of fireworks splish splashing overhead. A giant metallic figure stepped out of the building site opposite our house just before June and I went out to dinner (the figure receded into the distance swishing at rising hot air balloons as it went). On our return we found an island last set foot on by Man Friday.

30/04/2012

As the day broke like a messenger wrongly shot on a doorstep I balanced my reflection on a knife edge and straightened a length of railway track instead of a tie. I had already found footprints right across my water meadow t-shirt; but as I had to go out I never bothered to follow them – June rang some time later from beside a watering hole in the Serengeti. She had caught a lion while I had caught the train. I ran down the platform at my destination with several suitcases full of tadpoles and a pond in which to put them. I spent much of the afternoon reaching up before sitting down from my return journey. On entering the house June was watching a tiny figure on the top of the TV who was threatening to jump.

01/05/2012

I woke with my ocean liner head slowly sinking; quickly drawing a life raft called Medusa I came ashore wearing a mermaid’s dress and tights (I never wondered about the tights until later). June was taking swimming lessons in a washing machine as I walked by the blinded cyclop’s door – although I had a firebrand in my hand I never knocked . Coming home with an arm full of semaphore railway signals I noticed the lady with a steam train face had stopped at the station. I put my umbrella on the stand dressed like a Carmelite monk and then ascended into my third stage studio. Sat on my porcupine chair I agonised over how many open and closed eyes to put on the peacock tail shower curtain.

 02/05/2012

I had a breakfast of typewriter keys and the sticky numbers I had found behind the sideboard while looking for a mandolin to comb my hair with. I then went out in the garden to catch up on the house sparrow news. The ten people at the door had green bottle heads – I accepted a package from the first one and signed the others before sending them back. While the grey clouds settled into comfortable sofas, pantomime horses ambled down the street followed by pantomime camels and giraffes with their necks on fire – I put these out with a swish of my collection of candid Polaroid photographs: the knees of Vestal Virgins and mismatched football socks on the limb spurs of boa constrictors.

 03/05/2012

The people with unicorn horns were already hidden in the closet when I got out of bed wearing a baseball hat and a strategically positioned sward of artificial grass. June had taken her golf clubs to work and I padded about the house in my brown bread slippers drinking a mix of mead and cordyline sap from an antique conch shell. After swimming with turtles in a Beatrix Potter egg cup I retired to my studio with a can of woad and several Ancient Britons. King Arthur was a pop singer on an Anglo Saxon radio station although I turned over to listen to the World Service. In the evening June and I walked with Poppy along the crocodile path to see a young girl wearing a stethoscope – I didn’t think it suited her.

 04/05/2012

I got out of the wrought iron cocoon very early (incidentally I call the cocoon HMS Dreadnought as it was the first of its kind and will soon start an arms race). Once out on the sleepy road I followed a numbered petal trail to the front door of the old man and his shop of mechanical sheep happily grazing on a stone tortoise’s back (the alternative reality which is only a cigarette paper away from ours had me following a cloven hoof trail to Pan – I called myself Peter and flew away). After Jack and I had planted the runner bean seeds I came home in a Spanish Galleon called the Sir Francis Drake. The dog was behind the door wearing a highwayman’s hat; she pointed to a mail coach with funerary urns instead of passengers.

 05/05/2012

I meant to get up early but got tangled up in the wreckage of a Junkers 88 brought down in the Battle of Britain – I had already made friends with an ack ack gun from the same war (which had unsuccessfully auditioned for a part in an Oscar Wilde play). I finally got out of bed with a headless figure from the Elgin Marbles balanced on the white bowler hat I was wearing. As the cat wanted bath salts I had to go shopping after a point to point dinner. The lady behind the counter gave me a new head to put on; after placing a third on top I flashed red, orange and green and stopped the traffic – the outlaw in the centre of the roundabout was adding smoke to his gun while the posse sat on the telephone wires like a message in Morse code.

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Paul McPherson Gallery Exhibition: A Handful Of Photos

After all the fuss framing the works last week here are a few photographs of my work on show (the other artists work can be seen on one of my other blogs: http://ionistartblog.wordpress.com/).

In keeping with the trials and tribulations of framing I was unusually hesitant hanging the pictures and on the advice of an artist friend changed everything half way from ordered lines to ordered chaos (or disordered chaos!).  It looks OK but I wish I had lined up the bottom row pictures correctly.  Considering I have hung close to a hundred exhibitions this is somewhat unprofessional (I reckon it is old age – even though I am not that old!  Actually I probably am that old!).

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Art Diary: Week Ending 28th April

22/04/2012

I couldn’t get out in the garden much so spent some of my available time in my studio writing and painting.  Concerning the latter I painted over the remaining lines on STRING PORTRAIT with brown acrylic jar colour.  The next step in the week (if I get the time) is to wash over this with either a thin mauve or blue acrylic wash.  Ditto THE SCREAM.

String Portrait - work in progress

String Portrait - work in progress

I also painted the lines of ELABORATED MARGIN with oil paint  The next step for this work is to draw in the background scene visible between the folded strands.

Elaborated Margin - work in progress

Elaborated Margin - work in progress

23/04/2012

I spent all day sorting out paintings for my show next Monday only to completely change my mind in the evening – I will have to start again on Wednesday.  I have made the decision to not take large heavy works – I feel my days of struggling with two huge very heavy bags are gone (in past cases four! – I would move two a few paces forward, go back and bring the other two a few paces in front of these and endlessly repeat the process!!!).  This does mean I am showing smaller less original works but still.

24/04/2012

I was out shopping with my wife all day!  No work done except a bit of writing on my smartphone between Primark clothes rails!

25/04/2012

I found out some larger more serious works for the show nest week.  I now have a combination of large and small scale works.  I am however, taking fewer paintings.

I also drew in a landscape between the strands on ELABORATED MARGIN and then painted over the pencil lines with oil paint.

Elaborated Margin - work in progress

Elaborated Margin - work in progress

26/04/2012

I was out with the family all day so nothing done except some writing in the evening.

27/04/2012

I was out visiting in the morning.  When I got home I painted the main stage on ELABORATED MARGIN.  All that remains to be done is some detailing and painting over some (but probably not all) the lines.

Elaborated Margin - work in progress

Elaborated Margin - work in progress

28/04/2012

I had to do my varnishing today and final framing today.  I also got my printing done at the library (unfortunately I missed out one of the labels so a return trip is necessary).  I did a little writing in the later afternoon evening.

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Oh No Not Again!

After all the vacillations last week when I was choosing works to show in my next exhibition it may not be a total surprise to discover that I have changed my mind yet again!  Unfortunately when I finally put all the works in the bags I will use to transport them to the gallery in it became obvious that, although I could carry them,  moving them some distance on foot would not be a very pleasant experience – so pragmatism won the day and I reluctantly took out the largest two pictures:

STAGE DIRECTION: THE DEAD RISE AND DANCE THE CANCAN and A LANDSCAPE CALLED LEOPOLD

and replaced them with the two much smaller portraits shown below (I had toyed with the idea of replacing them with four even smaller works but decided against it!):

Bubble Head

Bubble Head

Petal Head

Petal Head

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Weekly Diary

22/04/2012

I woke with an alligator head not quite in the centre of my shoulders; relegating my own head to an earring.  It was too wet to relieve the sentries and I cried crocodile tears as the waiter came round with a housing estate on a plate.  I chose a house at random and found it was full of beads; some of which made a Swiss meadow on the tropical rain forest floor.  The tiny flowers were picked by tiny people and then cast at giant feet.   June and I had a roast dinner and then came home like ocean liners heading for port – which was painted in watercolour and had skyscrapers in the distance.

23/04/2012

I saw my reflection in the thirteenth floor windows before I woke up to see a gleaming polished head in an oyster shell.  I had to walk an avenue counting prehistoric menhirs before I left the house (which was shaped like an acoustic guitar).  The coloured water poured down as I tried to find something worth keeping dry, eventually deciding on a kiss left on a shard of mirror glass and a lipstick cross on a handkerchief.  June was pleased to have found one end of a skipping rope although the other end receded into an uncertain distance – I drew a face on a blackboard with black chalk.

24/04/2012

June and I travelled out of town inside an instrument of the woodwind family.  I played a tune which echoed in hyper space like an algorithm of unconsciousness.  We were intercepted at an old battleground of the English Civil War by small people wearing monkey masks and bundled into an antique clothes shop – June investigated the inner sleeve of a brightly coloured Chinese top while I burrowed like a mole rat in the left leg of a pair of dungarees.  I noticed that they were worn at the knee which was strange as I did not pray a lot.  June found a line and I subsequently crossed it.

25/04/2012

June went for lunch in the great hall of an early Saxon king – he reputedly kept several Vietnamese pot bellied pigs in his beard; I thought this quite plausible as I kept a number of unfurled flags in mine plus a mechanical cricket that played the National Anthem on its back legs. I had to ride a dragon to town to save June from a marauding knight.  I waved at a group of young girls made from glossy magazine pages as I rode by and they waved back like sea fans in a shallow sea.  June had a chain on one arm and was painting the fence a curious shade of orange with the other.

26/04/2012

June and I slept in flower pots and emerged like creatures from a primeval Spring.  I had two horns on my head which were so long they touched the ceiling, scratching out symbols among images of extinct animals, which I later copied onto a framed collection of flint arrowheads.  June and I found my sister changing to seaweed with a number of green bottles entangled in it.  The old man who filled the bottles found time to relate stories about lantern headed people who were happy to lighten the darkness of others.  When I got home I wandered around in a pitch black room.

27/04/2012

I started the day early with all my outer clothes green and all my inner ones red.  I pulled on a red vest and several children came out looking for a lost toy (in my head the toy was looking for the lost children).  I followed my old toys to the village where I grew up – which in the interim had grown legs and moved at least a hundred yards nearer the river (the river only ran in the winter, the rest of the time it crawled like an old man lost in a desert).  I talked to an old man about the crown that had suddenly appeared on a hilltop – apparently no one was brave enough to claim it.

28/04/2012

I took swimming lessons in a casserole dish before having to go out in the rain – the dish had been delivered in an disused fishing net which I thought would be handy to wear if I ever needed to be presented to a king neither naked or clothed.  Incidentally the fish that delivered the package was wearing spectacles, which I cleaned for him when he delved into his pocket for a pen.  He signed my name for me as he could see I was battling something unimaginably powerful.  When I returned with a collection of names (I later found one was missing) I had time to tie two pieces of string together.

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Exhibition Preview – The Absolutely Final Selection

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Exhibition Preview Revised Again And Again – please skip if you want to retain your sanity!

After already changing my mind at least twice I set about framing the works I chose to hang.  Only to immediately change my mind again when I noticed that some of the paintings that were already framed would be suitable and save me a lot of work – inherent laziness creeping in.

However, some time after this I reconsidered again as I thought it was necessary to have at least a handful of more serious work (relatively speaking) included.

Below is the first revision.  The second one will be in my next post – after which I promise to shut up about the show!  I am hanging it on Monday anyway.

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